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The Bourne Supremacy Review At Amazon..
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There are no world domination conspiracies. No extravagant super-gadgets. No deadly supermodels and megalomaniac geniuses. Unbiased Bourne, his wits, a couple of guns, and whatever else he can obtain his hands on.
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Firmly entrenched in reality (as worthy as having a martial arts expert with photographic memory, fabulous marksmanship and driving skills, coupled with fluency in at least four languages, and spycraft/black ops training is feasible in the valid world), The Bourne Supremacy follows in the footsteps of The Bourne Identity to lisp solid action which is a refreshing shatter from the cartoon shenanigans of Bond.
The film opens two years after the events of The Bourne Identity, where Jason Bourne, a shaded ops assassin played by Matt Damon, had become amnesiac and severed his ties with the CIA. Jason and his lover, Maria, played once again by the German actress Franka Potente, have been skipping around the globe and are currently hiding in India. However, events beyond his control conspire to shuffle him abet to the conspiracies and machinations of hidden players. An undercover CIA agent is murdered in Berlin, and all the evidence points to Bourne. Brian Cox, Julia Stiles, and some minor players return from the first movie, and Joan Allen is introduced as a high level CIA administrator who wants to track Bourne down. There are plenty of twists and turns along the design, lots of globetrotting, including visits to Paris, Berlin, and Moscow, and gigantic situation pieces.
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The return of most of the cast from the first movie serves as a large means of establishing continuity. Strangely enough, Ms. Stiles is once again delegated to a very minor role (in the first movie, she was small more than a glorified phone operator), but this time around, she has a key scene with Mr. Damon. Ms. Allen has colossal presence and manages to fill her hold in her many scenes with Mr. Cox. Mr. Damon thoroughly inhabits the role of Bourne, convincingly playing a ruthless assassin who, despite intense conditioning to be a remorseless killer, is struggling to derive his humanity. Mr. Damon has once again spent distinguished time conditioning himself for the role, and it shows. He is lean, fit, and utterly believable in his fighting sequences. However, more than being honest another action hero, Mr. Damon also brings convincing intelligence to the role. The audience can acquire that Bourne is constantly thinking two steps ahead of everyone else, that anything can become a weapon in his hands, that he is always considering a device out, and that every act, even simply picking up a bottle of vodka, has a reason.
The image quality of the DVD is agreeable, although in parts it seemed too dusky. The filming technique old by the director, which involves extensive employ of hand-held and shoulder-mounted cameras, has been noteworthy criticized, and must have been a dizzying experience in the movie theater, but in the confines of a huge cloak TV, it serves to bring the viewer moral into the action. Granted, some of the rapid editing and shaky camera work compose a few of the fight scenes claustrophobic and confusing, but that seems to be the desired achieve. There are a handful of deleted scenes (which are of distinguished lower video quality and don’t really add grand to the plot; they are also all strung together – one cannot recall individual deleted scenes), director’s comment track, and some other production segments. I have not heard the director’s commentary or examined the other documentaries, yet. One nitpick of the DVD is Universal’s decision to add unskippable advertising at the beginning. One cannot press menu to escape; one is forced to speedily forward through the useless ads.
Highly recommended.
Wow! Talk about a taut, mind-numbing space of sequences chubby of energy, moment and action, this sequel to the new -The Bourne Identity- is that most elusive of entities, a great better, tighter, and suspenseful movie than its unique. This sharply spun narrative allows Matt Damon to reprise his role as Jason Bourne, the recovering amnesiac CIA witness gone AWOL, this time running for his life through a catalogue of cities from Goa, India to Berlin, and from Berlin to Moscow. And with an action coda that brings to mind the breathless gallop of such action classics as Steve McQueen? s -Bullitt-, it is so rapidly, deft, and terrific one can literally collect lost in the activity.
Damon is great as Bourne, an inflamed, amnesiac, and absolutely murderous foe for anyone who crosses his path with deadly intent, which seems to happen with delicate regularity in this film. Given the new accepted disgust and disdain for the CIA, the movie hits home by portraying its hierarchy as thugs in business suits, hooked on silencing Bourne regardless of his innocence or guilt. Damon is losing some of his boy-next-door qualities, but burns up the mask with an Eastwood like space of facial expressions that underplay the emotions and execute the dialogue often sparse and terse. His physical presence more than makes up for the verbal void, however. His moves are nothing short of consuming.
Luckily, the station avoids the original morbid Hollywood preoccupation with terrorists, middle Eastern personalities, or religious overtones, and rather chooses to concentrate on more weak East European skullduggery with undertones of great money and dirty oil deals in setting the stage for assassinate, mayhem, and some of the most outrageously memorable car trail scenes this side of -The French Connection-. This is an lively movie franchise that one can rest easy about, smart it will certainly be fleshed out entertainingly over the years by Damon and company. With superbly and smartly produced thrillers like this, why not stagger the tale as far as it will go? Savor!
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