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A lot of people feel that the current “Slaughter” is the best one, but “Rip Off” is a distinguished capable sequel. This is aloof a “revenge flick”, but the characters are far more intersting. Jim Brown gets to have alot more fun and alot more sex. The added bonus is Dick Anthony Williams portrayal as a Pimp/Burgular who helps Slaughter bring down the Mob. The only downside to this one is that most of the songs from James Brown’s classic soundtrack are missing from the movie.
Army aged Slaughter’s latest adventure doesn’t lift him to South America (incongruously referenced as Mexico here), but there’s unruffled plenty of exertion to be found in the U.S.
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The site here follows a bungled Mob hit on Slaughter that ends up killing a superior friend of his, and Slaughter’s efforts to regain revenge. Unlit Action Movie genre veterans abound in this film: Gloria Hendry (”Sad Belt Jones”, “Live & Let Die”) is the leading lady here, Marcia. Brock Peters is Reynolds, a cop who thinks some of his superiors are on the capture. They are, and the Mob boss tedious them is Ed McMahon, aka Duncan. Don Stroud is Kirk, the lead henchman, and Slaughter’s main foil here.
Again, a list of kickback recipients figures into the plot: Dick Anthony Williams (billed here as Richard) is Joe Creole, a pimp and professional burglar for hire(!), who becomes Slaughter’s temporary partner in heisting Duncan’s ledgers listing the politicians and other public officials receiving payoffs. This leads to a game of cat-and-mouse between Slaughter and Kirk, and the violent climax in one of Duncan’s nightclubs.
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There are almost as many fight scenes here as in the first film; the opening sequence somehow combines a horse accelerate and a “fly-by” shooting by crop-duster. In keeping with genre standards, the women here are radiant and (mostly) of loose virtue. Here, Slaughter gets twice the care for action, as he beds a palm-reader early on, in addition to Marcia later. There is also a hilarious Scatman Crothers cameo as a numbers man. McMahon as Duncan gets less to do than you would think– also, unlike many Blaxploitation villains, he’s not portrayed as a racist (that’s Kirk’s department) : but seeing the Tonight Indicate sidekick as a crime lord is tranquil droll unto itself. We tranquil don’t find mighty of a perceive into Slaughter’s background (besides being ex-Army with a private arsenal, unbiased what does he do for a living? ) ; alas, such bright concerns are perhaps unnecessary to luxuriate in the fisticuffs and gunplay…
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