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Produced by Toho as a “bewitch that” to the bad American remake from 1998, I notion this Godzilla movie was really broad! I also found it remarkable better than the bloated Series 2 (1984-1995) films, and to be as fun as any of the Series 1 (1954-1975) films! The anecdote was captivating, the characters were likeable (and thankfully fewer characters, unlike the Byzantine Series 2 characters), the special effects are impressive (almost to the level of the original Gamera movies, and it even uses some CGI!), there was actually more hardcore monster action (as opposed to the in-your-face laser light shows of the modern films), Takayuki Hattori’s music was well done for a non-Akira Ifukube gather, and the movie doesn’t choose itself too seriously! Godzilla here looks his best yet, and the Millennian/Orga is one of Godzilla’s more bizarre adversaries!
Although the public response to this film was surprisingly clear, I was rather unhappy to hear the same words that US critics aged to represent Japanese SF films past, such as “cheesy” and “campy.” Although I don’t mind poking fun at Japanese SPFX, I fair wish they weren’t so meanspirited. Besides, weak fashioned suitamation FX has been improving in Japanese films, especially with the befriend of CGI! You have to give them credit.
I was very tickled to leer this film in the theater (I saw the Japanese version later on), and that Tri-Star brought this film to the US, partially to apologize to the US fans for that American monstrosity! I believe it’s time for the US to indulge in Japanese SPFX, and believe its fandom in the US.
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In short, I reccommend this movie! Peer for it, especially on DVD!
“Godzilla 2000,” is a right narrative of monster preportions! This film surprised me – a correct G-fan in every sense of the term – with it’s first rate monster designes, it’s awsome musical glean (as excellent as Akira Ifukube even, especially his theme music!), and even some terrific computer effects work! (Grand surprise there!) The emphisis on Godzilla as an unstopable force-of-nature is taken to original levels here (the opening scene is in my concept the highlight of the film, with ambitious camera angles and atmoushpere), and the villian monster Orga is genuine in all of his different stages.
This movie has a mood to it, not seen since the modern – and “Godzilla 1985,” as the tremendous guy approaches land, everything stops – and is unbearably collected (very eerie!) . It’s unprejudiced like a tornado approaching, giving this film terrific realizm (yes, I know this is a Godzilla movie I’m talking about) . Another thing is the human side of things:
- The dubbing works nice here, very synced with the mouth movements. But it’s never, never going to be perfect.
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- I enjoyed the characters, more everyday kinds of people. The main hero and his daughter race a G observation network, shades of “Twister,” might be noticed here. And safe humour is evident, like any regular domestic release, not unintentional, like in some of the early ’70’s entries.
All around, I LOVED “Godzilla 2000″ I recomend it to life-long fans, and even casual observers will accumulate this fragment arresting. My common of all time, along with the newer Heisei series (exellent by the procedure, but “G-2000″ is simply on a whole other level) serves up delectable action-packed entertainment.
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