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WEDNESDAY, OCTOBER 8, 2003–It would be easy to dismiss “Thirteen” as an exploitative exhaust in shock, but to do so would grunt the film its hard-edged realism, phenomenal acting and powerfully unsentimental chronicle, which culminates in one of the most emotionally raw and unforgettable endings I have ever seen. Spinning the scary yarn of a perfectly normal thirteen-year-old girl, Tracy, who, with the aide of a more “experienced” rebel named Evie, slips and falls into a hellish downward spiral of every parent’s worst nightmare, “Thirteen” is a blooming work, but can be difficult to stomach at times. For instance, it opens with the two girls huffing aerosol cans and, so awestruck by the numbness in their faces, they commence slapping each other for kicks. This is probably one of the less horrible scenes of rebellion, as later they delve into accurate drugs, consume up beer drinking and experiment with their fragile sexuality. Nothing, however, is as hard to grasp as the scenes where Tracy finds some random attractive object and begins slicing up her hold arm, all to temporarily rush the wound of living.
Despite the many difficult things shown, the shock factor actually works in this movie because it all seems so horribly valid. There’s not a single piece of this movie that couldn’t be happening somewhere in this country factual now, and that’s what makes “Thirteen” so gross.
Aiding the film in its realistic advance is the camerawork by first-time director Catherine Hardwicke. She shot the movie with a digital camera, and it often has the perceive and feel of a documentary. She also splashes the film with vibrant colors at points to add to the sense of decadence in the girls’ care-free, unsafe lifestyles. Later, advance the destroy, Hardwicke also seems to drain almost all color out of the scenes in order to explain the frigid reality of life when all the drugs and sex and partying lead to their natural conclusions.
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The film doesn’t offer any cookie-cutter solutions on how to deal with wild teens, nor does it offer us a smiley-faced ending where it all works out and everyone winds up pleased. Instead, in its final minutes, it offers only wrenching emotional truth and a serene, subtle message of hope.
Through all of this, the entire ensemble does nothing but imprint. The main star of the movie, and the one who undergoes the most changes, is Evan Rachel Wood (”Once and Again”), who plays Tracy as if this were the narrative of her acquire life. Improbable in every capacity, she proves herself a superb successor to our fresh generation of A-list actresses. As well, Nikki Reed, who plays Evie (and co-wrote the film with Hardwicke), astonishes in her first performance. She also has a shining future. Meanwhile, it’s a superb primitive, Holly Hunter, who, as Tracy’s mom, becomes the “Thirteen”’s shaky accurate center, a recovering alcoholic with more heart than brain, so clueless as to what’s going on but undeterred in her determination to sustain her only daughter obedient no matter what. It’s a tough role, and Hunter nails it. The final moments involve an emotionally intense scene between Hunter and Wood, and watching it, you realize that there are few-maybe none-who could have handled it better.
“Thirteen” is an improbable film, which despite many glum moments, manages to stand out as one of the few grand movies of the year. However, be forewarned: it is not for the faint of heart, nor is it a movie you would view to be entertained in the venerable sense. Aloof, whatever conception you slump out of “Thirteen” with, you have to admit at least one thing: it stays with you, like the bitter chill on your bones during the cruelest winter.
The litmus test for the realism in this one – watched it with a group of 12-18 year used girls and they all said it reflected the reality of being teenagers, with all the dependable pressures and stresses of their high school and social lives. This is, quite simply, one of the most unbiased (and painful) movies about adolescence that I’ve ever seen..and it was written by a teenager who also stars in the movie…fabulous!
Buy,Download, Or Stream Thirteen! Click Here
Buy,Download, Or Stream Thirteen! Click Here
At the originate of the movie, Tracy (played by Evan Rachel Wood) is a pleasurable student with a not-so-great family life. Her mother is struggling to achieve food on the table and under a lot of pressure to bear family and home together.
So it makes sense that Tracy would be drawn to “the coolest girl in school”, Evie, a wild rebel with a penchant for effort. Evie gladly takes Tracy under her wings, often pushing her into Tracy into situations she isn’t prepared for (parents should be aware that some of the scenes are graphic, including sexuality and nudity) .
It is impressive that this film is so utterly believable and the sensational and often gruesome scenes form sense in the context of Tracy and Evie’s lives. Adding to the strength of this film is Holly Hunter’s strong performance as a mother who is desperate to assign her daughter but isn’t quite engrossing enough to rep the suitable path. One of the best films of the year, bar none!
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