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O Brother, Where Art Thou? Movie Streaming. Product: O Brother, Where Art Thou? Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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I peep a lot of movies and have seen all of the “classics” and O’ Brother Where Art Thou rates among the best of them – no kidding! Twenty years from now, they’ll be airing this film on AMC and TCM alongside the likes of North by Northwest, The Wild Bunch and How Green Was My Valley.

The chronicle is completely spirited and the cinematography is elegant. Realize that filming took plot in June/July when the Southern countryside was a lush, verdant green. That bone dry, depression-era dust bowl beautiful is a wonder of digital editing.

The Coen brothers have done two things that are all too rare in Hollywood these days. First, their screenplay is unusual (yes, it’s loosely based on Homer’s Odyssey but to evaluate the film solely on this account framework is to overlook the other aspects of the film) . Second, they’ve produced a film that captivates not with multi-million dollar action sequences and the latest Moby track but with sizable dialogue and an authentic blues/bluegrass soundtrack (well worth buying) that is as distinguished a character in the movie as the three principals – Ulysses Everett McGill (George Clooney), Delmar O’Donnell (Tim Blake Nelson) and Pete Hogwallop (John Turturro) . The eclectic cast (that also includes Charles Durning, Holly Hunter, Stephen Root and John Goodman) turns in superbly acted performances across the board. Clooney, who all too often plays 2 dimensional characters, gives an award-worthy performance in what is unquestionably his best role to date. Those not familiar with Nelson or Turturro will be impressed by these wonderfully skilled actors.

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I will say that a lot of people have told me that they didn’t care for this film, which I salvage incomprehensible. I’m not certain what more you could ask for in a movie.

The Coen brothers have a cult following, but until I saw this movie, I didn’t count myself among the masses that appreciate the Coens. However, with this movie, this brother team has cemented their reputation as serious and skilled filmmakers with a lot to say and a stylish arrangement of saying it.

This movie is a loose retelling of “The Odyssey” by Homer, space in the Depression-era Deep South. George Clooney, John Turturro, and Tim Blake Nelson earn an unlikely team of escaped convicts who embark on a hotfoot of the irregular and astonishing. Recognize for the appearance of many celebrated Odyssey allusions, such as the Sirens and the Cyclops (among others) . The Coens’ quirky purchase on this classic legend is delectable and perfectly executed, and the script is beautifully and humorously written. The sets and filming are artistic and a bit mythical, and the casting choices are impartial grand. The film is peopled with fascinating characters, in classic Coen brothers fashion. Gaze for sizable supporting characters played by John Goodman, Holly Hunter, Charles Durning, and others.

And that’s not all! Interwoven in this film are mammoth depression-era songs and some modern songs, with suited music direction by T-bone Burnett. Who says Moulin Rouge is the first movie in a long while to prefer the musical format? This movie is fair as great a musical as Baz Luhrmann’s much-hyped movie.

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I really hold that this movie reaches heights that previous Coen brothers movies (even Fargo) haven’t reached. In addition, I occupy this movie was slighted by the Academy during Oscar time. This movie was one of the best films of the year, and excelled in every aspect a film can be awarded for.
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Spider Baby Streaming. Movie Title: Spider Baby Average customer review: Spider Baby is available for streaming or downloading. Click Here to Stream or Download Spider Baby

What to write about THIS one? I have to be unprejudiced, this is a tough call to form, because I unbiased haven’t seen anything quite like this before, and maybe that’s enough of a recommendation in itself. Some reviewers have likened it to “The Addams Family”, but I’d say “The Texas Chainsaw Massacre” is another candidate for comparison. The Merrye family suffers from a degenerative disease (”rots the brain” – that’s what my dad primitive to say about droll books!) which causes them to regress to, eventually, homicidal, psychopathic cannibals. There’s no denying that Lon Chaney does a advantageous job as the family chauffeur and as the sole mumble of reason in the madhouse. Carol Ohmart, as a relative visiting to reclaim the estate, reprises her sexy ice-queen role from “House on Scared Hill”, this time stripping down to the dismal lace (in one of the more gratuitous moments in a gratuitous movie!)

There’s no gore, at least nothing like what you commonly gape in today’s terrible excuses for “apprehension movies”. In fact, the “rat scene” from “Grisly Sun Demon” is probably more of a pure gross-out than anything on camera in this movie. But the *implied* violence is there, in spades. And folks, it’s curious. Do NOT put a question to to sit there and yawn. It may have been done on a gross budget, but all that means is that today’s directors are wasting money. “Spider Baby”’s director, Jack Hill, did some work with Roger Corman before knocking this one off in a mere 12 days of shooting. The movie was lost in accurate limbo for years, and that lack of exposure at a time when it could never have made it to television probably ensured it’s future as a legal “cult” film.

The print is suited – no complaints at all. The missing 8 minutes isn’t the usual well-deserved nick, either: in this case, they lopped off notable background information. (I wish that they had restored it into the film instead of having it as an “extra”, but hey! We’re lucky to accumulate ANYthing here!)

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Bottom line: you can’t call yourself a “cult movie fan” if you haven’t seen this one. It is in no method similar in situation to “Carnival of Souls”, but I’d have to say that it ranks upright up there with that classic for pure strangeness.

I discovered this DVD a few weeks ago whilst browsing Amazon. I had’nt seen or heard of it before and simply bought it on a whim. It now ranks as one of the most delectable movies in my collection. ‘Spider Baby’ is in a different league to most other B-movies. The production is lifted by expedient direction from Jack Hill and by a very apt and likable cast. The precise surprise for me was Lon Chaney’s performance as the family chauffeur. I’d half expected to peep a washed up mature dread star sadly trying to emulate his past glories (a la Bela Lugosi in ‘Plan 9 From Outer Space’) . Instead, Lon Chaney treats us to one of the best performances of his career (honestly!) and shows what a stout professional he was. The movie benefits from a marvellous musical collect, including the opening theme which is sung by Mr Chaney himself. It really does have to be heard to be believed. The storyline is surprisingly unimaginative paced and there is itsy-bitsy on-screen gore or violence. Most of the fear occurs off camera and the film relies on the unusual characters and unusual goings on to hold viewers capitivated…and it succeeds brilliantly!

On the technical side, relate quality is extraordinary – exceptionally tidy and consuming with very runt stamp of wear and slump. The sound is single channel mono and is also very estimable. The film is presented in its new widescreen 1.66:1 ratio. This is a favorable size even if you don’t contain a widescreen area – the movie looked gargantuan on my standard size 1.33:1 TV. The DVD also features an engaging commentary by the film’s writer and director Jack Hill. Jack has a very easy going style and gives lots of unhurried the scenes info on the movie, cast and crew. Spider verdict : a thoroughly delicious tongue-in-cheek anxiety that comes highly recommended.
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Sleeping Beauty Movie Streaming. Product: Sleeping Beauty Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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I vividly remember the release of Sleeping Beauty. I was musty enough to go glance it myself – unbiased barely. There I was sitting blueprint up front eating my popcorn and all of a sudden this spectacular dragon materialized just before my eyes. Popcorn forgotten, I was crooked. Cartoons never looked the same to me, and I spent the rest of my life inhaling fantasy and science fiction on a quest for the same thrill.

Animation has changed quite a bit in the ensuing years, but even today Sleeping Beauty is a towering achievement. Now I’m more sensitive to the tricks of the art and can view the masterful exercise of perspective that made the scenes leap out at you. When I first picked up this DVD I half expected to be disappointed, to regain it really wasn’t so elegant in retrospect. This is hardly the case – this film is unbiased as vibrant and alive as it was in 1959.

The added dimension now is that I can gape how Disney’s work was a formative influence on animation even today. Artist/Directors like Miyazaki owe considerable to this film and its predecessor Snow White. And they freely admit it. As a production, Sleeping Beauty created a sense of legitimacy for animation that proved that high quality animation was something well beyond the Saturday morning funnies.

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Disney took a stout risk when creating this film, pouring a grand amount of resources in making it something as perfect as was possible for his time. While the studio reaped the financial benefits, the audience was the dependable winner, as a whole genre exploded before our eyes. Even now, with anime snappily becoming a force to be reckoned with, this film stands out for epic, art, and music.

The additional features, especially those that retell the making of the film, are agreeable as well. All captures in comely detail on this DVD. This is a must inspect for anyone who collected loves a fairy record.

This movie is one of the tall classics of animation, especially for Disney. The DVD version is significantly improved compared to the previous VHS tape. The recount and sound were both greatly enhanced for this release. Furthermore, both widescreen and fat camouflage versions are available in this package.

As with Disney’s other classics, some liberties were taken with the novel fable of Sleeping Beauty. Disney took the classic chronicle and made it original and special. In some ways the record is less violent and dim than the recent fairy fable. In other ways, such as the portrayal of Maleficent, the movie is dismal and forbidding. While the movie is generally a children’s movie, Maleficent’s dragon and her general demeanor can be somewhat ghastly for some in the pre-school and younger dwelling.

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Aurora was the first cherish for many a young boy, and was also the model for the aspirations of millions of girls. The romantic esteem sage of Princess Aurora and Prince Phillip enchanted would-be princesses everywhere, and in some cases became the measure by which future spouses were measured (and many of us struggled to meet the ideal) .

Of course, the romantic chronicle and the wicked of Maleficent were balanced by the comedy of the animal characters and the three bumbling, good-hearted fairy godmothers. While their goodness may appear a bit too vanilla and sweet for some, it is perfect for those longing for the innocence of their youth.

While the movie is the most distinguished portion of the DVD, this two CD residence contains a phenomenal number of extras. I found the audio commentary by various key individuals to be absolutely exciting. I planned to listen to portions of the commentary in preparation for my review, and instead found myself listening to the entire thing because it was so incredibly engaging. Mary Costa (Princess Aurora) and others provide their perspective on the creation of the movie, as well as personal memories of Walt Disney and his influence on the film. The audio commentary by itself is worth replacing your VHS tape, particularly for aficionados of Disney movies.

In addition to the audio commentary are numerous, emphasize numerous, other bonus features. Some I felt were less than worthwhile, others, such as the shorts “Substantial Canyon” and “The Peter Tchaikovsky Tale,” were apt bonuses. The number of bonuses on this two disc situation was so vast that there is a navigational overview included in the DVD that categorizes 38 features found on the second disc.

With the movie and the wealth of bonuses, this movie is a must-buy for those who have yet to have “Sleeping Beauty.” For those who have the VHS, the bonus material is nearly worth the cost of the DVD. Certainly those who are collectors of Disney memorabilia and historians of Disney will catch the DVD to be a concise compendium of some of the best information available regarding this film. I highly recommend this DVD!
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NOVA: Fractals – Hunting the Hidden Dimension Streaming. Movie Title: NOVA: Fractals – Hunting the Hidden Dimension Average customer review: NOVA: Fractals – Hunting the Hidden Dimension is available for streaming or downloading. Click Here to Stream or Download NOVA: Fractals – Hunting the Hidden Dimension

This is an challenging and gripping introduction to fractal geometry. It illustrates how the Julia and Mandelbrot sets were devised. Benoit B. Mandelbrot himself was dismissed and scoffed at by mathemeticians until he authored “The Factal Geometry of Nature”, they then realized the connection of fractals & math and nature, even our bodies consume it for economy of construction. There is order in so-called disorder except in cases of cancer. But computers were principal to use the pudgy potentials of fractals. This film offers graphic demonstrations. The spinoffs of B.Mandlebrot’s book include the first ever computer generated special effects for Star Inch movies, some medical research applications, a quantum leap in invent for antennaes for cell phones. Ships now from WGBH Boston.

“The book of nature is written in mathematics.” Galileo

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A tree, a bush, a cauliflaur, a brain, a lung system, what all these organic structures allotment in approved is the spend of repeating patterns to originate a whole that in its macroscopic conception is unprejudiced like its small conception.

Called fractals they have also been employed mathematically to picture forces of nature and also knowledge itself.

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In one of my very approved quotes of all time, the unhurried Isaac Asimov observed that “Knowledge has a fractal like structure. No matter how remarkable we learn, whatever remains, no matter how seemingly shrimp, is infinitely complex.”

Amazingly though artists had already informally discovered them, fractals came to the fore mathematically only in 1979 when Benoit Mandlebroit began writing about them and their ubiquity in nature. Mandlebroit had been a Jew trapped in France during WWII. He had survived to expeditiously glean his Phd. and then net a reputation as an academic very willing to follow his gain hunches.

Lucky for us Mandlebroit overcame early disdain for his discovery and pursued fractal research zealously. As alluded earlier in this recognize, examples of both organic and inorganic uses of fractals have dominated research since 1979.

For its section this DVD does an gracious job of discussing the history and various applications of fractals and it also inspires the viewer to further notice and exploration of this vital position of mathematics which actually turns out to be an example of creation itself.

While nature’s “book” may be written in mathematics, this DVD at least allows you to belief a synopsis of this chapter on film.
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Streaming Each Dawn I Die Online. Product: Each Dawn I Die Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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William Keighley’s Each Dawn I Die station the tone for the prison genre. Oz it is not, but for 1939, Each Dawn I Die presents viewer insights to the jargon, code of ethics, and behavior of hardened convicts. John Wray as Pete the prison guard barks through his lines like a rattled pit bull. George Raft, who seemed to be forever dressed in prison garb, plays Stacey a “lifer” who is sprung to abet newsreporter Ross (James Cagney) who has been framed for manslaughter. Cagney shows glimpses of his emotional explosiveness as Ross breaks down befoe a parole board. Raft is in prime gain cooly delivering lines that would beget Edward G. Robinson proud. The prison fracture scenes are shot and edited realistically and provide reference points for future prison films such as Brute Force and Caged. Collected other scenes are highly unbelievable and mirorred in Hollywood fare. ( Stacey giving himself up in front of the penitentiary, and the warden’s mushy sentimentality to name unbiased two) . These shortcomings restricted Each Dawn I Die from attaining a higher echelon among crime films. Collected the sixty-one year veteran film retains its credibility among the genre and is worth owning.

The title refers to what many prison inmates feel when they awaken in the morning: it’s a timeless – albeit poetic – metaphor. As a pugnacious reporter, Cagney unearths evidence that will do some hight-level politicians in jail. Before he can earn his material into print, he is abducted, knocked unconscious and save into a car, booze poured over him & the vehicle sent careening down the street where it runs over a man and kills him. The brutal frame-up works: Cagney is convicted of manslaughter and is sent to prison, where he befriends aloof crook George Raft (as “Hood” Stacey), a crime boss. On the snarl to the Gigantic House, Raft smiles and jokingly asks Cagney to write a fraction about him – cause he likes his name in the paper…Once inside Rocky Point, Cagney pleads again and again for parole, which is repeatedly denied him…Cagney and Raft had known each other in vaudeville succor in the slow twenties. Raft, a real-life tough guy had various connections with hoodlums and bootleggers: Owney Enrage & Joe Adonis to name a couple. Raft even picked up their contain particular mannerisms and he had a very short fuse in steady life. But Raft got along well with Cagney: advantageously making this film a blockbuster hit in its day: owing to a tight script and the electric acting of the leads, this one is far above average in the category of crime films.
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Watch One Flew Over the Cuckoo’s Nest Online. Movie Title: One Flew Over the Cuckoo’s Nest Average customer review: One Flew Over the Cuckoo’s Nest is available for streaming or downloading. Click Here to Stream or Download One Flew Over the Cuckoo’s Nest

Milos Forman has always had a knack for assembling tall ensemble casts. This is particularly suitable in his most critically acclaimed releases (Taking Off, Amadeus and this film) . It would be difficult indeed to advance up with actors and actresses who were better fine to believe the roles in OFOTCN. This is apt in terms of both the stars, Jack Nicholson and Louise Fletcher, and the secondary characters. Who could have been a better Harding than William Redfield? A better Billy Bibbit than Brad Dourif? A better Cheswick than Sydney Lassick? And most especially, a better Chief Bromden than Will Sampson?

I foul this movie as the best of the best of what I assume to be American Cinema’s golden decade, the 70s. It certainly won the widest acclaim, with its sweep of the major Oscars for 1975 (Nicholson also won best actor from the Fresh York Film Critics voters that year) .

Not to be overlooked is the astounding job performed by the film’s adaptors, Bo Goldman and Lawrence Hauben, who also won Oscars for their screenplay. Legal, they did have a fairly decent stage version (by Dale Wasserman) to work with. I remember seeing an suited production of the play, with a terrific cast, in San Francisco circa 1972. Impartial as an aside, I read in the Norton Significant edition of the unique, a review of a NY production of the play by Walter Kerr that was an absolute pan. Suffice it to say that the movie is distinguished different than either the recent or the play. Those familiar with Kesey’s gargantuan unique understand how difficult a transfer from page to hide would be; about a third of the yarn is Bromden’s delusional interior monologue. The final script, quite rightly, focuses almost exclusively on Randal P McMurphy’s struggle with Nurse Ratched for the hearts and minds of the inmates.

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This is truly a gut and soul-wrenching movie, with many moments of high maniacal comedy interspersed. Though many of his other films are righteous, this is Forman’s masterpiece. If you haven’t read the book, read it. It you don’t gain this movie, choose it. There are few works in the history of American literature and film that are helpful.

One Flew Over the Cuckoo’s Nest (1975)

The film One Flew Over the Cuckoo’s Nest is adapted from a recent of the same name written by Ken Kesey. The movie carries with it symbolism through color, sounds, and images and the casting could not have been more capable. Jack Nicholson is cast in the lead role as Randle Patrick McMurphy, a ne’er-do-well who goes into a mental institution to attain off his jail sentence. He figures it will be more leisurely than the work farm. His nemesis is Nurse Ratched, cast and played extraordinarily by Louise Fletcher. The movie does well in incorporating feelings and colors that surround the viewer with the mental institution’s atmosphere. And the sounds and images achieve forth by director Milos Forman add to that ambiance. One of the film’s biggest successes lies in the cinematography (or lack thereof) . Virtually all the scenes, even when the inmates go outside, are bleak and boring. The lighting in the institution is the fluorescent, white-out type of lighting. Every slippery hospital surface is revealed and the viewer can almost smell the hospital cleaning fluids emanating from the shroud. The hospital has no quick-witted satisfied colors, either. It is filmed in the dusky blues and greys of the ward that resemble the patients’ despair. The patients are dressed in shaded grey as well and the nurse, as always, wears stark white. The nurse’s appearance also holds symbolism in it. Her uniform is always perfectly pressed. And her hat is always on straight. She represents order and authority, and her uniform is one symbolic affect of that order. It totally contrasts the patient’s mien – always disheveled, wearing demeaning hospital robes. The director uses wonderfully disenchanting sounds to represent to the audience the afflict and helplessness of the patients. One patient is constantly remarking how tired he is and other characters are constantly stuttering and “acting exclusive.” Random yells echo throughout the halls. The echo allows for the hospital’s feeling of emptiness and loneliness and gives it a cavernous feel. Its halls are never ending and flee from this institution is futile. The echoes bounce off every surface, trapping each patient in their absorb madness. The consume of hospital noises and colors add to the realistic scenery of the film. It is masterfully done, and each audience member is forced to go through the injure and despair of the patients. The subject matter has always been one I like. The ragamuffin character comes in and saves all the horribly despondent people from pure emotional hurt. As if those patients didn’t have it dreadful enough, they are constantly being controlled by the Tremendous Nurse. She represents order, authority – the Establishment. And these awful souls are putting their lives in her hands, only for her to assume advantage of them. Milos Forman puts this sage in perfect visual acquire, not using too many film techniques to grasp away from the anecdote at hand. Colors, images, and sounds carried from the unusual to the veil are constant and well-done. The feeling one gets from the movie is delicously contaminated, as most asylums surely are. A phenomenal narrative by Kesey and direction by Forman, and an uncanny portrayal of McMurphy by Nicholson, allow the record to live on in visual acquire.
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Stream NFL: Manning, Brady and Favre: The Quarterbacks. Product: NFL: Manning, Brady and Favre: The Quarterbacks Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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bought this for my 11 year passe nephew who is a serious football fan and has followed Favre for years! I understand this went over immense, the entire family and friends watching it several times.

This DVD was a gift for my father-in-law. He liked it but I have not seen it yet.
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Adventures of Elmo in Grouchland Streaming. Movie Title: Adventures of Elmo in Grouchland Average customer review: Adventures of Elmo in Grouchland is available for streaming or downloading. Click Here to Stream or Download Adventures of Elmo in Grouchland

I am the mother of an 18-month-old daughter who is an absolute Elmo nut! We saw this movie in the theater and it was the first time she has sat serene for more than five minutes since she was a very minute baby. She hardly even blinked during the entire 73 minutes of the movie. Estimable movie and I would recommend it to all parents of children who like Elmo.

I wasn’t clear how my daughter would be in a theater (she’s 2 1/2 & this was our first time), but I needn’t have skittish. She was captivated! It was cute & exciting for me; but she loved it. Burt & Ernie kept the notion of falling into Grouchland from being too scary, and the tunes were enthralling. I highly recommend for all pre-schoolers!
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The Birds Streaming. Product: The Birds Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Hitchcock’s macabre classic finally gets its due on this DVD Collector’s Edition. The film, which by turns thrills (the various bird attacks) and amuses (the frequently bantering dialogue), is presented in all its widescreen glory — an vital consideration for Hitchcock enthusiasts, given the director’s meticulous planning of his films’ visual compositions. “The Birds” features some substantial cinematography, a nerve-wracking soundtrack, and some finely wrought performances (particularly those of Jessica Tandy, Suzanne Pleshette and Ethel Griffies) ; all are well-served by the film-to-DVD transfer. There are a wealth of bonus features, including newsreel footage of Hitchcock and Hedren publicizing the film, an extensive stills gallery, and a intriguing leisurely the scenes production documentary. Especially involving are the ad-libbed conceal test clips pairing Hedren with “Psycho” player Martin Balsam while Hitchcock provides verbal instructions off-camera! All in all, a most welcome addition to my DVD collection, and one I’m delighted to recommend for yours.

Alfred Hitchcock apparently spent the better section of two years trying to gather subject matter that he felt would be righteous of a follow up film after 1960’s PSYCHO. He bought Daphne duMaurier’s short memoir, “The Birds”, and very expeditiously decided that he would only keep the title, and the bird attack region point. Evan Hunter and Hitchcock crafted the screenplay structure, and after a staggering amount of technical pre-production, Hitchcock made THE BIRDS. It opened to tremendous acclaim from the public, if not critics, and is one of the master of suspense’s best remembered pictures. As it should be. And with the glowing current DVD edition, this terrific movie at last gets the home video treatment it so richly deserves.

The transfer is immaculately moving and certain, letterboxed at the 1.85:1 ratio extinct for theatrical exhibition, and the mono digital sound is smart and vibrant. The letterboxing actually gives the film more breathing room, and some of the sequences, especially the complex technical passages such as the attack on the school, and the spectacular attack on the town, have a visceral punch that’s ratcheted up by the clarity of the digital image and sound. Don’t be build off by the many sodium process shots that were necessitated by the demands of the screenplay; they are perfectly gash into the film, and give the movie a archaic realism that is perfectly in keeping with Hitchcock’s stylized thought of reality. His films are all designed within an stride of their lives, and the audience is all the better for it.

The extras on this collector’s edition are quite notable. A featurette entitled “All About The Birds” presents interviews with actors Tippi Hedren, Rod Taylor, Veronica Cartwright, along with various technical personnel, and is attractive and paunchy of information about the film’s production. Also featured are Tippi’s conceal test, production notes, a trailer, and web links. This is one package that beautifully showcases a film which gets better each time you notice it.
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8 1/2 – Criterion Collection Streaming. Movie Title: 8 1/2 – Criterion Collection Average customer review: 8 1/2 – Criterion Collection is available for streaming or downloading. Click Here to Stream or Download 8 1/2 – Criterion Collection

Frederico Fellini’s masterwork 8 ½ is difficult to advance largely because of its reputation. Many critics also dwelling that the film is so complex that it requires multiple viewings to understand, and this is likely to intimidate many viewers. But the truth is that, in spite of its surrealistic flourishes, 8 ½ is more straight-forward than its reputation might lead you to own.

The storyline itself is very simple. A notorious director is preparing a unusual film, but finds himself suffering from creative block: he is obsessed by, loves, and feels unending frustration with both art and women, and his attention and ambition flies in so many different directions that he is suddenly incapable of focusing on one possibility lest he assure all others. With deadlines approaching the cast and crew fall upon him demanding information about the film-information that the director does not have because he finds himself incapable of making an artistic choice.

What makes the film challenging is the method in which Fellini ultimately transforms the film as a whole into a commentary on the nature of creativity, art, mid-life crisis, and the battle of the sexes. Throughout the film, the director dreams dreams, has fantasies, and recalls his childhood-and this internal life is presented on the veil with the same sense of reality as reality itself. The staging of the various shots is unique; one is seldom aware that the characters have slipped into a dream, fantasy, or memory until one is well into the scene, and as the film progresses the lines between external life and internal understanding become increasingly blurred, with Fellini giving as powerful (if not more) importance to fantasy as to fact.

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The performances and the cinematography are key to the film’s success. Even when the film becomes surrealistic, unbelievable, the actors make very realistically and the cinematography presents the scene in keeping with what we understand to be the reality of the characters lives and relationships. At the same time, however, the film has a remarkably poetic quality, a visual fluidity and beauty that transforms even the most ordinary events into something slightly tinged by a dream-like quality. Marcello Mastroianni offers a his greatest performance here, a elegant mixture of desperation and ennui, and he is exceptionally well supported by a cast that includes Claudia Cardinale, Anouk Aimee, and a host of other notables.

I would assist people not to be intimidated by the film’s reputation, for its roar can be expeditiously grasped, and when critics area the film requires repeated viewing what they actually seem to mean is that the film holds up extremely well to repeated viewing; each time it is seen, one finds more and more to relish and to explore. Even so, I would be amiss if I did not point out that people who retract a cinema of shipshape state lines and who disfavor ambiguity or the necessity of interpreting reveal will probably loathe 8 ½ a vast deal; if you are dangerous in your taste on these points you would do well to rent or borrow the film before making a retract. For all others: strongly, strongly recommended.

The most determined achievement in 8 1/2, Fellini’s mind-boggling portion of self-examination, is its gallant mixture of dreams and reality in order to note the protagonist Guido’s whimsical mind spot. Dream sequences reach and go without warning, depicting Guido’s wound, yearning, frustration, guilt that can pop up at any instant. The first time we explore Guido’s face, it is his mirror image, hinting to us the unreality we are about to face. Some of the dream sequences have a Bunuel-like surrealism. Some of them, however, blend almost seamlessly into scenes of reality, intentionally confounding us. Some are nightmarish, yet some are warm and hopeful. Some are brief flights of worship, and some are lengthy, clarify, wild visions that deem Guido’s heightened sense of confusion and apprehension. Although the film is often called the best film ever made about a filmmaker, its theme is universal in that it is a smart picturization of a person’s (and by extension, any person’s) mind, which is often petrified by the past, tormented by the note, and tremulous about the future and the unknown…

The fresh Criterion DVD of 8 1/2 has a dazzling video transfer. A frame-by-frame cleanup of the represent has been done, so this DVD is significantly better-looking than Criterion’s laserdisc version in 1989. There are momentary freeze frames during the opening scene, but since they also appeared on the LD, I steal they are normal. The 1.0 mono audio track is indistinguishable in quality from that on the LD — it is mostly desirable and piquant, although loud sound shows some distortion. The image is anamorphic. The disc is region-free. The audio is supported by newly-translated optional English subtitles.

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There is one limited discrepancy between the LD and the DVD. The LD contained the American release version of the film in which some scenes, such as the one in which Guido first meets his wife, had altered music cues. The DVD, however, is the new Italian version, retaining all of its recent music.

The DVD’s audio commentary comprises of scene-specific comments (whose authorship is unclear), and additional comments from critic Gideon Bachmann and NYU professor Antonio Monda. The result is a graceful well-rounded audio essay covering the film’s plan, production details, themes, and artistic significance, as well as personal recollections, anecdotes, and abandoned concepts and scenes. Other extras include two 1-hour films on the filmmakers. The first is “Fellini: A Director’s Notebook”, directed by and starring Fellini himself. It is a sort of Fellini-style DAY FOR NIGHT, a fictional, somewhat silly memoir of how the director goes about making a film. The video/audio quality of this section is unpleasant, and there are no subtitles or closed captioning. The second film is a documentary made by German filmmakers in 1993 titled “Nino Rota: Between Cinema and Concert”. It offers an intimate yet enigmatic portrayal of Nino Rota through his personal recordings, film footage of him working with Fellini, clips of some early films scored by Rota, and interviews of his associates and students. One segment is about how Rota recycled his collect from the 1957 film FORTUNELLA to make the theme for THE GODFATHER, an act that would cost him the Oscar nomination. The DVD extras also include 3 recent interviews. Sandra Milo speaks candidly about her experiences, both personal and professional, with Fellini. Linda Wertmuller lavishes praises on Fellini’s genius while offering a appealing appraisal of Fellini’s psychology that figures prominently in 8 1/2. And Vittorio Storaro pays tributes to the achievements of 8 1/2’s cinematographer, Gianni di Venanzo. Rounding out the extras are 100 or so aloof photos from the area of the film, some of which were taken from deleted scenes.
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