Zatoichi the Blind Swordsman, Vol. 12 – Zatoichi and the Chess Expert Review At Amazon.
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Zatoichi the Blind Swordsman, Vol. 12 – Zatoichi and the Chess Expert Review At Amazon..
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A chess master, one who is so jealous of his hold talent that he kills any player who beats him. A woman, disguised as a man, traveling with her brother and fleeing some unknown hunter. A dazzling, gentle lady and her wounded child, dying but without money to consume medicine. A blind masseur, with an uncanny swiftness and ability with a sword. These are the cast of characters that place the stage for the 12th Zatoichi film, “Zatoichi and the Chess Expert” (”Zatoichi Jigoku tabi:” literal translation “Zatoichi’s Wobble to Hell.”)
This is one of the best Zatoichi films that I have seen. The characters manufacture for an fascinating mix, each likable and formidable in their have map, but each harboring secrets that perform them vipers hidden in the brush. The Chess Expert becomes Zatoichi’s ally and traveling companion, each maximizing on the talents of the other to win money. And Zatoichi needs money, to select medicine for the dreadful child who was wounded in a sword fight that the masseur was eager in. The child’s mother, resplendent and poor, falls slowly in admire with Zatoichi, even though she must betray him. The sister and brother are wild cards, somehow shattering the peace of the inch, as destroy follows in their wake.
It all comes to an explosive attain, with companions battling companions, and secrets stripped bare. The dejected esteem between Zatoichi and the exquisite woman is heart rending, though doomed. An top-notch chambara flick all around, and a vast Zatoichi film.
The region of blindness does not hinder the swordsman masseur, Zato Ichi, in this well-crafted myth of pre-modern Japan, as he is obvious to do what is honest by assisting a young girl’s recovery from a severe hurt suffered in tangential fashion during a sword-fight curious gangsters in the bandit-ridden country. Of the approximately 25 Zato Ichi films, this must inappropriate as one of the better ones, as Shintaro Katsu who portrays the sightless samurai during the entire series, permits us to stare more of the inner man unhurried the warrior facade, aided by an tantalizing yarn written by Kan Shimozawa, who contributes the most complex scenarios of this group of works. In early civilized Japan, all masseurs were blind, as then they could not search for upon the bodies of their clients, and Zato Ichi (”Ichi the Masseur”) is following this tradition, but he is as well an inordinately successful warrior with his cane sword, mastering with cool aplomb each challenge by aggressors, no matter how many they might be. Ichi is a prototypical loner who makes his draw in this work, as in all others, by massaging, while handsomely adding to his income through his cheating skills at gambling, since he is also an inveterate confidence man, yet one who makes mistakes and these errors in judgement wait on in strengthening his accessibility to the viewer. There is a pleasingly intricate state, which places Ichi as a travelling companion of an itinerant samurai named Jumonji, played well by Mikio Narita in his first cinematic role, who is the chess expert of the English language title, and the two interact with several other groups of characters in a neatly-woven memoir. The complicated scenario is capably handled by outmoded director of samurai motion pictures, Kenji Misumi, who later added other outstanding Zato Ichi films to this first one in his list, as he balances the interwoven dramatics neatly and nicely. Reasons for the societal and artistic success of this series are manifest in this film, wherein Ichi represents values which most peoples are struggling to identify and occupy, with the blind swordsman becoming an iconic figure as he stumbles and totters, rather than riding, into the sunset, after completing his clash with deplorable.
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